Okay, last entry! I will conquer you like I did with the last five posts. Let's do this! (Whoa, don't know where that came from. Sorry about that.)
Anyway, the final mixtape will be about "Carnal Desires". Yesterday's list was about dead or dying relationships; this one's about those basically kept together by lust. The list starts after the jump. (And if you're wondering, no, the images provided won't be explicit.)
Tuesday, June 11, 2013
Monday, June 10, 2013
Mixtape Movies #5
Okay, okay. One more after this and I'll be done. (Don't get me wrong. I liked doing them.) Anyway, onward!
The theme for this penultimate list is "Love Will Tear Us Apart". (With special thanks to Joy Division for that title.) There have been countless films focusing on the budding romances and their "and they lived happily forever after" endings. What if they don't live happily ever after? That's what these films are about. The list starts after the jump. (Just FYI, I'm not including summaries except for the wildcard this time.)
The theme for this penultimate list is "Love Will Tear Us Apart". (With special thanks to Joy Division for that title.) There have been countless films focusing on the budding romances and their "and they lived happily forever after" endings. What if they don't live happily ever after? That's what these films are about. The list starts after the jump. (Just FYI, I'm not including summaries except for the wildcard this time.)
Sunday, June 9, 2013
Mixtape Movies #4
Okay, let's get back into the groove of things. Fortunately for those tired of these posts, there are only two more after this one. Anyway, moving on.
The theme for this one is "Falling to Pieces". Haven't we all felt like that at some point? Where you just feel like you're slowly going insane? Well, whether you have or not (I might have a few times), Hollywood is willing to show movie characters that are on the verge of a nervous breakdown. (And if you're wondering, no, Pedro Almodovar's film of a similar title isn't on this list.) The list starts after the jump.
The theme for this one is "Falling to Pieces". Haven't we all felt like that at some point? Where you just feel like you're slowly going insane? Well, whether you have or not (I might have a few times), Hollywood is willing to show movie characters that are on the verge of a nervous breakdown. (And if you're wondering, no, Pedro Almodovar's film of a similar title isn't on this list.) The list starts after the jump.
Saturday, June 8, 2013
Super Sweet Blogging Award
We interrupt the deluge of blogathon entries to bring you a blog award. Thanks to Michael from It Rains... You Get Wet for giving me this award several days ago. Man, it's been a while since I got one of these things. Let's see if I still know what to do.
Rules
- Thank the Super Sweet Blogger that nominated you.
- Answer 5 Super Sweet questions.
- Include the Super Sweet Blogging Award in your blog post.
- Nominate a baker's dozen (13) of other deserving bloggers.
- Notify your Super Sweet nominees on their blogs.
Good God, 13? Sheesh... Anyway, onto the questions.
- Cookies or cake? Cookies.
- Chocolate or vanilla? No contest. Chocolate.
- Favorite sweet treat? Gimme a chunk of milk chocolate and I'll be happy.
- When do you crave sweet things the most? Usually in the middle of the day.
- Sweet nickname? Um...will "sweetie" work?
And now onto my thirteen (still a ridiculous number) nominees:
- cinematic corner.
- Being Norma Jeane
- Rambling Film
- FlixChatter
- Lime Reviews and Strawberry Confessions
- Mettel Ray Movie Blog
- The Cinematic Spectacle
- My Filmviews
- "....let's be splendid about this..."
- Such Moving Pictures
- Popcorn Junkie
- Lights Camera Reaction
- True Classics
And now back to our scheduled blogging...
Friday, June 7, 2013
Mixtape Movies #3
Bear with me, guys. I've got only a few more to get through. (The choices for them are good, I'll promise you that.)
Anyway, the theme for this one is "Behind Closed Doors". I could have done a whole list of films revolving around this very subject, but I'm only permitted to six. And boy, are there a lot of films that fit this category. The list starts after the jump.
Anyway, the theme for this one is "Behind Closed Doors". I could have done a whole list of films revolving around this very subject, but I'm only permitted to six. And boy, are there a lot of films that fit this category. The list starts after the jump.
Thursday, June 6, 2013
Mixtape Movies #2
As I stated yesterday, there'll be several entries for Andy's blogathon on this blog. This is only another entry amid a short list.
Anyway, the theme for this one is "The Cost of Fame". We've all heard of and encountered those who want to become famous. (Hell, sometimes even we're such a person.) But what happens to those once they've gotten famous? Do they stay there or do they crash and burn? The list starts after the jump.
Anyway, the theme for this one is "The Cost of Fame". We've all heard of and encountered those who want to become famous. (Hell, sometimes even we're such a person.) But what happens to those once they've gotten famous? Do they stay there or do they crash and burn? The list starts after the jump.
Wednesday, June 5, 2013
Mixtape Movies #1
Andy has once again come up with a brilliant idea for a blogathon. The idea is to make a mixtape (or, to adapt to the 21st century, a playlist) of five films that revolve around a common theme plus a wildcard entry (a film that doesn't quite fit among the others but still belongs). I got really curious and as a result, I came up with several different mixtapes. (They'll be posted within the next few days.) Anyway, onto the first one.
Many of the themes for my mixtapes will be rather...dark. And the first one is no exception. The title? "Addiction is Bad". These films revolve around the downward spiral of the leads and how it can affect those close to them. The list starts after the jump.
Monday, June 3, 2013
Bird
The great innovators of varying cultures are more than often tortured souls. Authors, actors, artists, musicians...they become prone to addiction and self-destruction. Is it because fame becomes too much for them? Is it their own personal demons? What causes them to crack?
Clint Eastwood's Bird chronicles the rise and fall of jazz saxophonist Charlie "Bird" Parker (Forest Whitaker). Like many musicians before and after him, Parker rose to the top fast and crashed even faster. Drug addiction, a troubled personal life and changing times are what resulted in the decline of Charlie Parker.
I think what surprised me the most about Bird was who directed it. This was made by a man who got immortalized for playing cowboys and other tough guys. It struck me as different to see Eastwood make a film about a man slowly getting destroyed. (And I do mean slowly.) It's great stuff.
Likewise, I wasn't sure what to expect from Whitaker. I was only really familiar with him from his Oscar-winning role in The Last King of Scotland. After seeing his work in Bird, I now know that he can act. The vast difference between his roles in this and The Last King of Scotland is simply staggering. How he didn't get an Oscar nomination for Bird is beyond me.
It's slow in some spots but Bird is a great film. Thanks to solid work from Whitaker and Diane Venora (she plays Parker's worn out wife), the film stands out as a very underappreciated work. (Eastwood should do more films like this.) If you haven't seen it, you should.
My Rating: ****1/2
Clint Eastwood's Bird chronicles the rise and fall of jazz saxophonist Charlie "Bird" Parker (Forest Whitaker). Like many musicians before and after him, Parker rose to the top fast and crashed even faster. Drug addiction, a troubled personal life and changing times are what resulted in the decline of Charlie Parker.
I think what surprised me the most about Bird was who directed it. This was made by a man who got immortalized for playing cowboys and other tough guys. It struck me as different to see Eastwood make a film about a man slowly getting destroyed. (And I do mean slowly.) It's great stuff.
Likewise, I wasn't sure what to expect from Whitaker. I was only really familiar with him from his Oscar-winning role in The Last King of Scotland. After seeing his work in Bird, I now know that he can act. The vast difference between his roles in this and The Last King of Scotland is simply staggering. How he didn't get an Oscar nomination for Bird is beyond me.
It's slow in some spots but Bird is a great film. Thanks to solid work from Whitaker and Diane Venora (she plays Parker's worn out wife), the film stands out as a very underappreciated work. (Eastwood should do more films like this.) If you haven't seen it, you should.
My Rating: ****1/2
Sunday, June 2, 2013
The Deep End
Early on in Scott McGehee and David Siegel's The Deep End, it's established that the recent life of Margaret Hall (Tilda Swinton) is a complicated one. Her son Beau (Jonathan Tucker) is seeing nightclub owner Darby Reese (Josh Lucas) against her wishes. It doesn't take long before the situation goes from bad to worse.
How so? Darby turns up dead on the Halls' property, Margaret ends up hiding evidence that he was even there (including his body) and blackmailers show up with incriminating proof of the extent of Beau and Darby's relationship. Oh, what's a mother to do?
Now a brief summary like that sounds somewhat rubbish, but what McGehee and Siegel do with The Deep End is fascinating to watch. They take the usually tired cliches of thrillers and give them new variations on them. However, they do tend to slip into a few cliches every now and again.
Swinton, as with many of her other roles, is great here. As Margaret, she shows an uneasy nature while keeping a calm facade. Much like her later work in We Need to Talk About Kevin, Swinton handles the worst with complete dignity.
The Deep End falters a few times but overall it's a solid film. McGehee and Siegel, as stated above, make a film that tries to veer away from the cliches. It doesn't work entirely but thanks to Swinton's performance, the film certainly stands out as an underappreciated title of the last decade.
My Rating: ****
How so? Darby turns up dead on the Halls' property, Margaret ends up hiding evidence that he was even there (including his body) and blackmailers show up with incriminating proof of the extent of Beau and Darby's relationship. Oh, what's a mother to do?
Now a brief summary like that sounds somewhat rubbish, but what McGehee and Siegel do with The Deep End is fascinating to watch. They take the usually tired cliches of thrillers and give them new variations on them. However, they do tend to slip into a few cliches every now and again.
Swinton, as with many of her other roles, is great here. As Margaret, she shows an uneasy nature while keeping a calm facade. Much like her later work in We Need to Talk About Kevin, Swinton handles the worst with complete dignity.
The Deep End falters a few times but overall it's a solid film. McGehee and Siegel, as stated above, make a film that tries to veer away from the cliches. It doesn't work entirely but thanks to Swinton's performance, the film certainly stands out as an underappreciated title of the last decade.
My Rating: ****
Saturday, June 1, 2013
BOOK VS MOVIE: Cloud Atlas

Rarely does one encounter a work as ambitious as Cloud Atlas. Not many works are willing to delve into many cultures and societies as much as this.David Mitchell's novel is certainly a very ambitious piece of literature, that goes without saying. As stated above, you don't come across a piece of fiction that's this bold and daring. I don't know how long it took Mitchell to write Cloud Atlas, but his work just radiates on the page.
The adaptation by Andy and Lana Wachowski and Tom Tykwer is equally ambitious but something about it feels off. Indeed there is something fascinating about a small handful of actors taking on a range of accents, races and nationalities (and, for some, sexes) throughout the course of the film, but the slight political incorrectness of it might be why it also doesn't work entirely. Moving on, you can certainly feel elements of The Matrix and Run Lola Run throughout the film. (The 2321 and 1973 segments, respectively.)
Between the two, there's a fair share of similarities and differences. For starters, the visions Mitchell wrote were brought very much to life by the Wachowskis and Tykwer. However, said visions were altered by them as well. (Hey, if you're making a nearly three hour-long adaptation, you've gotta make sacrifices.) Still, they succeed in keeping the mystic aura of Mitchell's novel alive.
So which of the two is better? Well, some of the segments translated very well on the silver screen. However, the other segments flow better on the page than the screen. Both have their strengths and weaknesses, but only one can be deemed the victor of the two. (It's pretty clear, don't you think?)
What's worth checking out?: The book.
Subscribe to:
Posts (Atom)








