Thursday, January 2, 2020

Professor Marston and the Wonder Women

There's a sense of serendipity in that the same year Wonder Woman finally got the big-screen treatment with her own movie, the story behind her creation also got within Hollywood's grasp. But don't expect the standard clean-cut biopic execution. No, her backstory is much more...sexually driven.

Angela Robinson's Professor Marston and the Wonder Women chronicles the path of studious William Moulton Marston (Luke Evans), his brash wife Elizabeth (Rebecca Hall), and their research assistant Olive Byrne (Bella Heathcote) as their relationship goes from professional to romantic. But how many risks are they taking with this ménage à trois?

What Robinson depicts in her film is a keen awareness of the change in social mores. Obviously, the relationship between the Marstons and Byrne brought scandal upon its discovery (at least as far as the film shows), and the sexual overtones and bondage themes in the early Wonder Woman comics William wrote met much of the same. Nowadays, attitudes towards such matters have softened considerably. (In short, our protagonists were ahead of their time.)

Anyway, the lead trio of actors very much hold their own, be it by themselves or when sharing the screen with each other. (Perhaps coincidentally, Hollywood never really seemed to know what to do with Evans and -- save for Christine the year before -- Hall prior to this.) Hopefully, we'll be seeing more of the like from them in the near future.

Professor Marston and the Wonder Women focuses on mostly forgotten but seminal figures of the comic book world, yes, but Robinson shows that they were so much more than that. They were people with their own strengths and flaws, not ones who were infallible as you'd normally see with lesser works in the same genre. Quite simply, they were as human as anyone else who'd lived.

My Rating: ****1/2