That's what's on full display in René Clair's I Married a Witch, courtesy of Veronica Lake. A year after the success of Sullivan's Travels, she shows a comedic panache that shows there was more to Lake than her glamor girl image (an image she was none too fond of). It makes one wish she had more opportunities.
Anyway, Clair only worked in Hollywood for a short while (he was more established in his native France) but even then, his touch is on full display in I Married a Witch. As an uncredited writer, he made Lake's character Jennifer more likable than her literary counterpart. As director, he plays the various practical effects beautifully.
Speaking of those practical effects, let's talk about those for a bit longer. In this day and age relying on green screens and computers, it's almost a breath of fresh air to see something more mundane being used. Makes one wish filmmakers would go back to basics.
I Married a Witch loses steam towards the end but Lake and Cecil Kellaway keep it afloat throughout. Clair may have only spent a handful of years in Hollywood but his impact was felt with the few projects he made there. And the same can be said of Lake.
My Rating: ****
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