Claire Denis' Let the Sunshine In opens with Isabelle (Juliette Binoche) having sex with her married lover Vincent (Xavier Beauvois). He comes off as rather brutish during the act, even asking if she's this way with other men. (This earns him a slap in the face.) It's this scene that sets the precedent for what Isabelle goes through in the film.
And what's established in Let the Sunshine In is that Isabelle is looking for love in all the wrong places. (She's divorced with a daughter.) The men she encounters tend to meet her emotional needs initially but not so much in the long run. (Vincent, in particular, won't leave his wife for Isabelle.) Hey, no one ever said life would work out for everyone.
A common theme in various women-directed films is a better grasp of the female psyche. (Takes one to know one.) They're more likely to explore how women behave beyond the usual Freudian explanations. Sometimes it's something that happened when they were young (again, not pertaining to their family), other times it could be an event from their recent past. Either way, these depictions differ greatly from those by male directors.
Binoche has always been a radiant presence in cinema, and Let the Sunshine In is no exception. Her Isabelle may have a stormy personal life but when it comes to her career, she's thriving. She's emotionally clingy but otherwise very put together. Again, this is something more commonly found in works made by women.
Let the Sunshine In serves as more of a commentary towards the general dating scene and how convoluted it can towards some people. But with Denis' touch, it has a beating heart to it. And it's in the form of Binoche.
My Rating: ****
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