Blake Edwards' The Perfect Furlough introduces Lt. Vicki Loren (Janet Leigh) in a way that's par for the course for films of the era: legs first. Shortly thereafter, we witness the arctic base Loren's team of psychiatrists is assigned to look after slowly going insane from the isolation, pin-ups on nearly every wall. As expected for an Edwards comedy, libido is the picture's driving force.
But what's this "perfect furlough" in question? The men at the base suggest being in Paris with movie star Sandra Roca (Linda Cristal). With a bit of scheming, Cpl. Paul Hodges (Tony Curtis) is the one that goes on furlough but thanks to his "record", Loren has to look after him. But what will ensue once in Paris?
With a script by Stanley Shapiro (who'd write the next Edwards and Curtis picture Operation Petticoat), there's a boatload of lines that just skirt past the censors of the day. (Having Elaine Stritch amongst the cast helps too.) Playing with Edwards' penance for visual gags, they make a strong combination. (It's a shame they didn't collaborate more.)
Being a picture starring real-life couple Curtis and Leigh (the fourth of five, and one of two from 1958), it's patently obvious that they'll end up together before the credits roll. But even with that in mind, it's interesting to see their screen personas interact. She's strait-laced to his freewheeling but as they spend more time together, she relaxes and he calms down. (One wonders if their marriage was similar; probably not, seeing as they divorced four years later.)
The Perfect Furlough is top-tier Edwards (the final third is where it loses steam) but it still holds up today. If there's one thing to take away from this, it's that you see Edwards making his bones in traits that are more prevalent with his comedies in the coming decade. (Mind you, they're more restrained than what was to come.)
My Rating: ****
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