Friday, September 1, 2017


World War II is often a go-to source for media both fictional and factual. Sometimes those involved in these projects were also participants of the many battles, other times it's from those who did extensive research. Either way, there's been a barrage of them ever since the fighting's conclusion over seventy years ago.

With Christopher Nolan's Dunkirk, he explores what happened after the Battle of France and the evacuation of Allied soldiers from the benches of the titular French commune. Using three perspectives of the events (and using his now-familiar non-linear storytelling), he depicts a non-glorified re-telling of history. But how well does he do it?

Nolan recruited only three of his regular actors (Tom Hardy, Cillian Murphy, Michael Caine) for Dunkirk, the rest of the cast being made up of established actors and relatively fresh faces. Was this aspect a deliberate decision on Nolan's part? Perhaps, but as his previous films showed, he's more interested in the story rather than those responsible for acting it out. (Okay, The Prestige possibly being the lone exception.)

But Dunkirk isn't only Nolan's shining achievement; many of the technical aspects make the film what it is. The combination of Hans Zimmer's score and Hoyte van Hoytema's cinematography make for a claustrophobic pairing. (That's a good thing, mind you.) And like Saving Private Ryan before it, it'll take your breath away.

Dunkirk is probably Nolan's best film to date, showing that there's obviously more to him than star-studded CGI-heavy productions. It's perhaps the most human of his career, and hopefully he'll do more films of a similar nature. (But maybe on a smaller scale.)

My Rating: *****

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