Diary of a Country Priest

Judging by what I had seen in Pickpocket and what I had read about him, Robert Bresson definitely wanted to differ himself from his contemporaries. He rarely used professional actors. Many of his titles lack the emotional connection many other films of the era clearly possessed. And yet, he's dubbed an essential director.

His film Diary of a Country Priest contained the very trademarks that immortalized Bresson, as well as the profound theme of religion. (Bresson was a deeply devoted Catholic.) The blending of these themes provide an interesting tale.

This is of the first films that focused on conflict in religion, and one wonders if many later films of the same subject had Diary of a Country Priest as a primary influence. Bresson makes it clear that the protagonist (we never find out his name) struggles to break free from his spiritual alienation, and as far from the dramatics as possible.

Though I couldn't help but notice the dryness of some of the film. It starts off strong, but then slips into slow territory. Fortunately, it doesn't last for very long. I have a feeling that it will be less noticeable on a re-watch.

Diary of a Country Priest is very good, though I didn't love it as much as Pickpocket. The way it flows captures the Bresson mood, which is also evident in the films that he influenced. Still, I might like more upon a re-watch.

My Rating: ****1/2

Pickpocket

When one watches Michel (Martin LaSalle) sneaking his fingers into a woman's purse or a man's pocket, there's that feeling of suspense you normally find in a Hitchcock film. You know what he's doing isn't right yet you can't help but hope he'll get away with it.

Michel is really something. A gaunt figure in a size too big suit, he appears devoid of any emotion, his face blank of expression. Yet it's his eyes that show what his face cannot, all the fear and joy from the robberies he has committed.

There's no clear reason as to why Michel is a pickpocket. He views it as the easiest way to get money. Sure, getting a steady job is the best (and legal) way but you have to admit, you'd probably do the same thing if you were desperate.

Director Robert Bresson doesn't make Michel a sympathetic or unsympathetic figure. Feelings towards him are neutral at most, however that is not entirely a bad thing. It gives the viewer more of a chance to watch the film and Michel's actions.

Pickpocket is a really great film. It captures the inner workings of a criminal, something that many lated films strived to capture as well. In short, a must for true cinephiles.

My Rating: *****