Showing posts with label director: John Sturges. Show all posts
Showing posts with label director: John Sturges. Show all posts

Sunday, October 7, 2012

Bad Day at Black Rock

Upon his arrival in the small town of Black Rock, John J. Macreedy (Spencer Tracy) is greeted with resentment by the residents. Maybe it's because he's a one-armed man. Maybe it's because he's an outsider. Or maybe it's because of why he showed up in Black Rock in the first place.

Made in an era of racial discrimination, John Sturges' Bad Day at Black Rock speaks of a time when it was all right for slurs to be spewed. (Of course, it's scorned upon nowadays.) The film also displays some damn fine acting from its stars.

Along with Tracy, the cast for Bad Day at Black Rock includes Robert Ryan, Ernest Borgnine, Lee Marvin, Walter Brennan and Anne Francis. They're all great, especially Ryan, Borgnine and Marvin as the men who want Macreedy out of town. But this is Tracy's show.

Sturges, most famous for The Magnificent Seven and The Great Escape, displays a sort of beauty within the ugliness of the story. The main contributor to that is William C. Mellor's cinematography. It captures the vast landscapes of the west. It's true beauty.

Bad Day at Black Rock seems slightly out of date nowadays (though it can be relateable with the response to 9/11), but it must have been a real eye opener back in 1955. With a cast like this, can you really go wrong?

My Rating: ****1/2

Wednesday, January 4, 2012

The Magnificent Seven

The funny thing with Akira Kurosawa was that sooner or later, his work was going to get remade just in a matter of years. I mean, just look: Sergio Leone gave Yojimbo a Western twist and called it A Fistful of  Dollars, and George Lucas set The Hidden Fortress in space and named it Star Wars.

And John Sturges turned Kurosawa's magnum opus Seven Samurai into The Magnificent Seven. What? A samurai epic made into a Western? Sounds ridiculous, but it works.

In anyone else's hands, this would've failed spectacularly. But Sturges made sure that the masses (and Kurosawa) were appeased. They were. (Kurosawa reportedly rewarded Sturges with a samurai sword.)

Sure, there are a few differences between Seven Samurai and The Magnificent Seven, but it doesn't matter much. All that matters is that Sturges gets the viewer's attention and keeps a hold on it until the very end.

Saying The Magnificent Seven is one of the best Westerns out there is barely scratching the surface. There are just so many aspects about it that make it work. My personal favorites are the ensemble cast and Elmer Bernstein's score. Who doesn't like either one of the two, or even the movie for that matter?

My Rating: *****