Wednesday, October 2, 2013
Au revoir les enfants
And this is the viewpoint that Louis Malle's Au revoir les enfants is told from. Semi-based on an event in Malle's own life, the film depicts a time of war through the eyes of innocents. (Many other films have tried to follow in Malle's footsteps but very few have succeeded.)
I think what makes Au revoir les enfants an interesting watch (the semi-autobiographical elements aside) is that the events of World War II are treated as simply a minor discussion starter. The film is mostly revolving around the personal dilemmas facing Julien (Gaspard Manesse): doing well in his classes, the occasional schoolboy crush, things of that nature.
What's also surprising about Au revoir les enfants is how bleak it is. But it's not the story that's bleak. It's how the film was shot. Renato Berta's cinematography shies away from vibrant colors and it always seems to be a cloudy day. It's a small detail that I simply love.
Au revoir les enfants is quiet and heartbreaking in every frame, especially in the cinematic beauty that is that final shot. Malle usually employs a sort of detached sympathy with some of his films (The Fire Within springs to mind), and Au revoir les enfants is an excellent exception. It's as fantastic as it is sorrowful.
My Rating: *****