Showing posts with label director: Luca Guadagnino. Show all posts
Showing posts with label director: Luca Guadagnino. Show all posts

Sunday, October 29, 2017

BOOK VS MOVIE: Call Me By Your Name

Romance and coming-of-age often go hand in hand, the reason being the simplest one: first love is incredibly potent. The exhilaration of feeling such a way for someone can be all-consuming, the desire of wanting the outside world to fade away as they're with their beloved. But no one ever stated that such a sensation would last.

But back to the topic at hand, usually these stories have a particular slant to them. Many times it's so younger audiences have something to relate to (though with movies, their ratings often omit such audiences from seeing them upon release). And sometimes such tales don't capture that euphoria of infatuation.

André Aciman's Call Me By Your Name especially expresses that hazy awareness. Set during a summer in Italy, its stream of consciousness narrative is told through the eyes of a professor's son as he becomes taken by one of his father's students. But will such feelings be reciprocated and if so, for how long?

With a script penned by James Ivory (whose film Maurice would make for a good companion piece), Luca Guadagnino's adaptation is as much of a dreamy sigh as what Aciman wrote. Bearing in mind the director's previous films, its lush elements are woven into a story that's as rich as it is sensual. The way body language is conveyed throughout is something most romances can only dream of achieving. (And oh, that final shot.)

So which is better: Aciman's novel or Guadagnino's film? Both depict the ache that comes from that sense of longing, that knowledge that you know what you want from your limited time on this earth. But as life itself proves time and time again, there's bound to be heartbreak amid those moments of happiness. (But it's always best to focus on the latter in times of trouble.)

What's worth checking out?: Both.

Friday, June 10, 2016

A Bigger Splash

When one first glances at the trailer for Luca Guadagnino's A Bigger Splash, you'd expect it to be nothing more than a hot mess, the kind that's all style and no substance. (Guadagnino's previous film I Am Love has tones of this.) But as the film starts to unfold, it appears there's much more to it than it lets on.

That detail could also describe the characters of A Bigger Splash, Penelope (Dakota Johnson) in particular. That's not to say Marianne (Tilda Swinton), Paul (Matthias Schoenaerts) or Harry (Ralph Fiennes) are completely innocent either. They all have their flaws, they all have their stories to tell.

It was an interesting idea to have two well-established actors (Swinton and Fiennes) alongside two that are still making themselves known (Schoenaerts and Johnson). It shows the generation gap throughout A Bigger Splash, those who lived in the era of the Rolling Stones alongside those from the era of Nirvana.

A Bigger Splash also shows the contrast between old passions and young infatuations, the romances with a previous history and potential futures. Both of these are the kind that are stormy in nature, the ones that seldom quell for long periods of time. As Guadagnino also showed in I Am Love, passion has its consequences in the long run.

Though far from being the best film out there, A Bigger Splash will be on the viewer's mind once it's over. It examines the often ugly side of human behavior though not on the same level of greatness as other films of a similar nature. Still, it's worth a look for those curious.

My Rating: ****1/2

Friday, May 3, 2013

I Am Love

Even when one lives in a life of luxury, that life can become dull. (No, seriously. It is possible...I think.) After being around the likes of designer clothing and gourmet food, you could start to long for something much simpler.

Just imagine how Emma (Tilda Swinton) feels in Luca Guadagnino's I Am Love. An immigrant from Russia, Emma has gotten acquainted with the lavish Milan lifestyle through her marriage. But it didn't come without a few sacrifices. (Emma isn't even her real name; she doesn't remember her birth name.)

Swinton is quickly becoming an eclectic actress in my eyes. As Emma, she shows a level of uncertainly in what she desires. She wants her family to be happy yet she's not entirely sure of what she wants. (This is before she meets Antonio (Edoardo Gabbriellini), mind you.)

I Am Love is certainly one of the more lavish Italian films I've encountered. (This is coming from someone who has Luchino Visconti among their favorites.) This can be mainly attributed to Yorick Le Saux's lush cinematography and John Adams' even lusher score. It's just the small details I admire.

Swinton's performance, Le Saux's cinematography and Adams' score aside, there's not much else about I Am Love to write home about. There's certainly a possibility that a re-watch will be in my future but for now, I'm calling it for what it is: a simple but very lush film.

My Rating: ****1/2