Showing posts with label director: Joan Micklin Silver. Show all posts
Showing posts with label director: Joan Micklin Silver. Show all posts

Monday, August 6, 2018

Hester Street

Stories of beginning a new life are by no means an uncommon occurrence in either fiction of real life. Many of these tales hail from those emigrating to America, hoping to thrive in the land of opportunity. Of course, these streets paved with gold may end up looking a bit tarnished to some.

Joan Micklin Silver's Hester Street provides two such perspectives from someone who's made themself at home within American culture and someone who has a harder time in doing so. The former applies to Yankel (Steven Keats) -- who has rechristened himself "Jake" -- and the latter is his wife Gitl (Carol Kane), who has recently arrived from Russia with their son. But he's gotten a mistress during their few years apart...

Silver was moved by Hester Street's source novel -- Abraham Cahan's Yekl: A Tale of the New York Ghetto -- because her parents were Russian Jews, prompting her to tell this story. (As well as changing the title, she changed the story's point of view from Jake to Gitl.) She felt it served as an ode to her heritage, and that's why Silver wanted this story to be told.

Their names aside, there are noted differences between Jake and Gitl. He has all but discredited his faith in favor of living the American way whereas she holds the one thing from the old world close to her heart. Were it not for their son, their relationship would have been over long before their emigration took place.

Hester Street is very much Silver's sonnet to where she came from, yes, but it's also a story of those who strive for a new life. Whether it's the past century or this current one, many of us have that desire to begin anew. But very seldom do we all achieve that possibility, especially one with a happy resolution.

My Rating: ****

Monday, January 11, 2016

Crossing Delancey

There's a moment early on in Joan Micklin Silver's Crossing Delancey where Isabelle "Izzy" Grossman (Amy Irving) is beckoned by dashing author Anton Maes (Jeroen Krabbé) at a party. Her eyes light up as she approaches him, possibly imagining a future with him...then he gives her his empty glass.

A later scene shows Izzy's grandmother (Reizl Boyzk) is trying to set her up through a matchmaker. (Izzy is not amused.) The matchmaker finds pickle vendor Sam Posner (Peter Riegert) but Izzy turns him down. But even as she starts seeing Anton, she can't entirely pass up Sam's charms.

Sure, a premise like that sounds like the same old song we've heard time and time again. But Crossing Delancey is thankfully a nice change of pace. It doesn't force Izzy to immediately choose between Anton or Sam. The film simply shows her living her own life as she wants to live it.

In a decade where rampant sexual appetites were everywhere from teen comedies to network television, it's practically a relief to get a film that doesn't rely on the physical act. Being released the same year as Working Girl, it also shows a woman's life far away from the domestic setting.

Crossing Delancey is a deeply charming film. Thanks to the work from Irivng and Riegert (who's also great in Local Hero), it depicts the budding romance that we so seldom get nowadays. Quite honestly, we need more films like this one.

My Rating: ****1/2